Or, Can Books Save Us from What Digital Does to Our Brains?
There was a time when I could fall into a book the way you fall asleep: slowly, then all at once. A cup of tea, a quiet room, and suddenly I was somewhere else entirely—walking alongside Holden Caulfield or dancing in the moonlight with Kafka Tamura.
But lately, I’ve noticed something unsettling. I open a book, read three lines, and my fingers twitch for my phone. A notification pings. My thoughts scatter. A strange emptiness grows—the kind you feel not because nothing is happening, but because everything is.
The Digital Tsunami
We live in a time where the internet throws thousands of words at us every minute. We scroll endlessly, but absorb little. The dopamine hits are instant—click, swipe, laugh, move on. Our attention is shredded into bite-sized content, and deep reading? That’s a marathon we no longer train for.
Even when we try, it feels uncomfortable. The silence of a page is too quiet. The slow unfolding of a novel feels inefficient, almost frustrating. Why spend 8 hours reading a story when a summary or adaptation exists online? Why endure boredom when there's always another reel?
But that’s exactly the point. Reading, real reading, is an act of resistance.
In the Quiet Between Pages
Haruki Murakami doesn’t shout. He writes like someone tuning a radio in a quiet room, searching for a frequency you didn’t know you were missing. His worlds don’t explode—they hum, they ache, they wait.
In his books, people disappear, cats talk, and jazz plays in the background of heartbreak. But the real magic isn’t in the surreal. It’s in the stillness. A man boils pasta in silence. A woman stares out the window for hours. Nothing happens, and yet everything does.
Murakami reminds us that slowness isn’t wasteful—it’s where the soul catches up. That solitude isn’t loneliness—it’s where we meet ourselves. In the quiet between pages, we’re invited to feel deeply again, without apology.
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